Trumpet Range building exercise by Mark Zauss
Why it's so important to not play tense.
As a clinical psychotherapist and professional trumpet player, I discovered that when trumpet players become tense, the tension in their shoulders and the back of neck significantly increases which effects our ability to perform. Tension can adversely impact effect our flexibility, pitch, accuracy and range. When the muscles in the back of the neck become tense, the parasympathetic nerves that run adjacent to the cranial nerves can become inflamed. This inflammation can affect the trigeminal nerves in the face to become fatigued which can decrease endurance. The parasympathetic nerves which affect the middle ear can also be impacted by causing the pressure to change in the middle ear. This can cause us not to be able to hear as well when we become tense. When we cannot hear as well, we have the tendency to over blow which can cause changes in the aperture. These are only a few reasons that explain the importance of why we should practice how not to be tense. This method includes specific examples of how to decrease the tenseness in our body and improve range by playing in a relaxed manner. This method is not comprehensive, but shows the basic technique of how to play in a non tense manner.
As a clinical psychotherapist and professional trumpet player, I discovered that when trumpet players become tense, the tension in their shoulders and the back of neck significantly increases which effects our ability to perform. Tension can adversely impact effect our flexibility, pitch, accuracy and range. When the muscles in the back of the neck become tense, the parasympathetic nerves that run adjacent to the cranial nerves can become inflamed. This inflammation can affect the trigeminal nerves in the face to become fatigued which can decrease endurance. The parasympathetic nerves which affect the middle ear can also be impacted by causing the pressure to change in the middle ear. This can cause us not to be able to hear as well when we become tense. When we cannot hear as well, we have the tendency to over blow which can cause changes in the aperture. These are only a few reasons that explain the importance of why we should practice how not to be tense. This method includes specific examples of how to decrease the tenseness in our body and improve range by playing in a relaxed manner. This method is not comprehensive, but shows the basic technique of how to play in a non tense manner.
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How do you know when your tense?
An easy way to assess if you are tense or not is to check your shoulders. Breathe in as deep as possible, hold the air in and lift your shoulders. While your holding in the air, tightened your shoulders. Release the air and relax the shoulders. In the relaxed position the shoulders should be all the way down on either side. (Not forward, just down on both sides). If you feel your shoulders raising up at any time, especially when playing, this is a good indication that your shoulders are more tense than they need to be. Never tense your jaw - it does not help anything. |
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Break the cycle:
Be conscious of your tenseness or it will continue. Playing tense can form into a habit and actually feel normal. Awareness is the first step towards change. Once you discover what being tense means you can take charge and apply the tools you learn to play in a relaxed manner. Every one is different but it typically takes about 30 days to develop a new positive habit of playing relaxed. If someone has been playing tense for a long time, they can subconsciously become tense when only thinking of the trumpet. It takes time to re-lean a new habit and undo the old one. Eventually the new habit will sink in and playing becomes easier.
Steady Air:
Above all – Steady air. Steady air is a vital component of any brass player and strongly influences our ability to perform. If steady air is established during the warm up, you can train your body and brain to play with steady air every time you play. The exercise in this blog focuses on steady air.
Prevent unnecessary constriction of muscles and throat.
Rest as long as you play. The reason we rest as long as we play is to prevent our muscles from tightening up which can cause the shoulders to rise and throat to close off. Breathe as if you have 2 fingers in between your teeth. Fill your lungs and relax. Focus on steady air - always.
Click file below to Download PDF file of the Zauss Range Building exercise - (Free)
Be conscious of your tenseness or it will continue. Playing tense can form into a habit and actually feel normal. Awareness is the first step towards change. Once you discover what being tense means you can take charge and apply the tools you learn to play in a relaxed manner. Every one is different but it typically takes about 30 days to develop a new positive habit of playing relaxed. If someone has been playing tense for a long time, they can subconsciously become tense when only thinking of the trumpet. It takes time to re-lean a new habit and undo the old one. Eventually the new habit will sink in and playing becomes easier.
Steady Air:
Above all – Steady air. Steady air is a vital component of any brass player and strongly influences our ability to perform. If steady air is established during the warm up, you can train your body and brain to play with steady air every time you play. The exercise in this blog focuses on steady air.
Prevent unnecessary constriction of muscles and throat.
Rest as long as you play. The reason we rest as long as we play is to prevent our muscles from tightening up which can cause the shoulders to rise and throat to close off. Breathe as if you have 2 fingers in between your teeth. Fill your lungs and relax. Focus on steady air - always.
Click file below to Download PDF file of the Zauss Range Building exercise - (Free)
| zauss_range_buidling_exercise.pdf |
